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Movie Title: An American Werewolf in London An American Werewolf in London is available for streaming or downloading. Click Here to Stream or Download An American Werewolf in London |
1981 was The Year of the Werewolves…the furry fiends leaped onto movie screens in three major films: “The Howling,” “Wolfen,” and the classic of the genre, “An American Werewolf in London.” There has never been a greater werewolf film, there has never been a better transformation scene, and few fear movies can match the fascinating mixture of humor and scares that writer/direction John Landis (”Animal House,” “The Blues Brothers”) achieved here.
Although there had been humor in panic films before this movie, “An American Werewolf in London” showed once and for all that having comedy in a anxiety film didn’t mean that the film would lose out in the awe department. Landis makes it distinct that the film is NOT a comedy — the fear scenes are carried with dead-seriousness and homely impact — but there is so mighty quirky humor surrounding these scenes that the film becomes incredibly likable and buoyant. Most of the laughs near from seeing the extinct movie werewolf premise dropped into the recent day and watching the characters try to deal with it.
Actors Griffin Dunne and David Naughton, neither of whom had been in a movie before, beget a improbable ‘ordinary guy’ feeling to their characters of two young American boys backpacking through Europe. In rural England, they have a wrong encounter with a legendary monster, and Naughton faces the consequences of being bitten when he returns to London and takes up living with a glowing nurse (Jenny Agutter) .
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The transformation scene is justly illustrious and a milestone in visual effects. Make-up wizard Rick Baker lets the viewers observe a real-time twisting of a human body into a wolf shape: limbs stretch, snouts pop, hair grows, the body contorts…it’s incredible to peer. (And on DVD, you can view it over and over and over again) . Even computer graphics can’t accomplish an finish as startling as this one.
This DVD offers some nice extras. The image is kindly, and the 5.1 Surround Sound is decent (although there’s not a lot of befriend speaker sound) . Actors Naughton and Dunne do feature commentary on the film, and provide some titillating information and sound as if they were having a big time reliving the experience. I wish that Landis had been on the commentary as well, but you can hear his thoughts on the film in an 18-minute interview. Landis is an absolute hoot to listen to; the guy is as laughable as his movie, and he absolutely bursts with ideas and observations. To go along with the Landis interview is an 11-minute interview with make-up maestro Rick Baker. He provides a gripping contemplate at crafting what he calls “the coolest werewolf film ever made.” Also included is a vintage featurette on the making of the film, although it’s only about five minutes long (but you net more of wise-cracking John Landis), ten minutes of archival footage of Baker making a cast of David Naughton’s hand, and an assortment of storyboards, outtakes, and production photos.
“An American Werewolf in London” is a major turning point in awe films and visual effects — and even over twenty years later, it is peaceful one of the most challenging movies of its decade. It hasn’t faded at all, and this DVD lets you experience it the map it should be seen (and in the company of wild-man John Landis!)
This is one of the few movies that have consistently given me nightmares since I was a child. It is at least a decade ahead of its time. Most of the negative criticisms that I have read exercise the word “uneven” a lot. Even Roger Ebert, whom I fancy, claimed that the humor and the fright were an uneasy mix. This was years before he gave the movie Cry a clear review. Now I LIKE the movie Yell, but there is no plot that one can claim that it gets the balance lawful whereas Werewolf gets it detestable. Sob simply benefits from occurring in the cynical nineties – Werewolf suffers from being avant guard. .
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The unusual DVD has a few reliable extras on it – especially a fresh interview with Landis. Even after all these years, the film composed holds up. Unlike most films, I notice more things in it the more I gawk. What, for instance, is up with the townsfolk of East Proctor and what is their relationship with the unusual werewolf? My guess – they brought it on themselves somehow. Maybe one of their fill ran over a gypsy and was cursed. Instead of killing the bloke, they all determine to screen beneath the pentangle in The Slaughtered Lamb every fat moon.
I am recently returned from England and this movie is listed in Fodor’s as one of the films that best showcases London. I heartily agree. I visited the foul tube close at Tottenham Court Road and it calm looks mighty the same as when the David made his destroy there. And as I walked, alone in the countryside, beneath the light of the pudgy moon, I had to ask myself, “Am I crazy? ” Fortunately, I made it to the pub. There I waited, beneath the pentangle, for my friends to paddle me home.
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